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Oil Paintings
Come From United Kingdom
An option that you can own an 100% hand-painted oil painting from our talent artists. |
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Joos de Momper
Flemish Baroque Era Painter, 1564-1635
known as Josse de Momper, is one of the most important Flemish landscape painters between Pieter Brueghel the Elder and Peter Paul Rubens. Brueghel's influence is clearly evident in this many of de Momper's paintings.
Born in 1564 in Antwerp, Joos de Momper was first apprenticed to his father. In the 1580s, he travelled to Italy to study art. De Momper primarily painted landscapes, the genre for which he was well-regarded during his lifetime. He painted both fantasy landscapes, viewed from a high vantage point and employing a conventional Mannerist color transition of brown in the foreground to blue and finally green in the background, and more realistic landscapes with a lower viewpoint and more natural colors. His wide panoramas also feature groups of figures. Only a small number of the 500 paintings attributed to De Momper are signed, and just one is dated. |
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Joos de Momper
Seesturm
c. 1568(1568)
Medium oil on panel
Dimensions 70,5 X 97 cm
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Joos de Momper
The ambush
The ambush
Deutsch: Der Hinterhalt
Date 1622
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Joos de Momper
Helicon or Minervas Visit to the Muses
first half of 17th century
Medium oil on panel
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Joos de Momper
Monks Hermitage in a Cave
1600s
Medium oil on canvas
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Joos de Momper
Mountain landscape with campers and a broken tree
1620s
Medium oil on panel
Dimensions 45.7 x 65 cm
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| Joos de Momper
|
Flemish Baroque Era Painter, 1564-1635
known as Josse de Momper, is one of the most important Flemish landscape painters between Pieter Brueghel the Elder and Peter Paul Rubens. Brueghel's influence is clearly evident in this many of de Momper's paintings.
Born in 1564 in Antwerp, Joos de Momper was first apprenticed to his father. In the 1580s, he travelled to Italy to study art. De Momper primarily painted landscapes, the genre for which he was well-regarded during his lifetime. He painted both fantasy landscapes, viewed from a high vantage point and employing a conventional Mannerist color transition of brown in the foreground to blue and finally green in the background, and more realistic landscapes with a lower viewpoint and more natural colors. His wide panoramas also feature groups of figures. Only a small number of the 500 paintings attributed to De Momper are signed, and just one is dated.
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